Universal Studios, the theme park chain now controlled by Comcast, is rolling out new weapons in its battle against Walt Disney Parks and Resorts — and Disney is fortifying its defenses.
The giant entertainment company continued to see growth in ESPN and other cable channels, as well as its theme parks, but had to take a $200 million write down for its failed science fiction epic "John Carter.''
Desperate for new ways to connect with consumers, an increasing array of industries and organizations are hiring the Disney Institute, the low-profile consulting division of the Walt Disney Company.
“The Hunger Games” took in a record $155 million at North American box offices over the weekend, setting up what promises to be one of the biggest film franchises of this decade.
“John Carter,” Disney’s big-budget epic, is a new example of the Hollywood studios’ habit of pouring more money into looming flops to stay on good terms with their stars.
Corporate sponsors are back en mass at Sundance, where companies have long lingered around the edges of the film festival in the hopes some cool will rub off on their brands.
Jesse Draper, host of "The Valley Girl Show," a freewheeling interview program, says her goal is to build a brand by "portraying serious business people as fun."
Jeff Kwatinetz, a Hollywood executive whose rise was as quick as his fall, is kicking up dust with an online channel featuring new episodes of “One Life to Live” and “All My Children.”
On Friday, Walt Disney Studios will release a 3-D version in theaters, and a lightning-fast 18 days later, new "Lion King" DVD and Blu-ray sets will arrive in stores.
after midnight on Thursday.“Harry Potter and the Deathly Hallows: Part 2,” the last in this juggernaut series, sold a staggering $476 million in tickets this weekend.
Paramount's overseas division has decided the Captain America name has too much brand value - even in tricky spots like France - to keep it off cinema marquees.
How does a documentarian dissect the world of product placement, advertising and marketing? By financing his film entirely through product placement, advertising and marketing.
Some analysts wonder, however, if the company missed an opportunity for greater sales with the timing of its release for the Christmas but not the Thanksgiving season.
The seventh Harry Potter movie opened to $330 million in global ticket sales, a result of a year-long, full-court press by Warner Brothers’ global marketing chief.
For the first time in years, Nickelodeon has momentum. It is searching for new franchises to fend off Disney Channel and cement its popularity with children and young teenagers.
James A. Pitaro of Yahoo Media and John Pleasants of Playdom were named co-presidents of the Disney Interactive Media Group, which has been struggling.
Armed with new copy-blocking technology, studios want to offer new movies on video-on-demand only about 45 days after they arrive in theaters, at a premium price.
The Walt Disney Company's top Internet executive, Steve Wadsworth, resigned late Thursday following a difficult tenure in which the media giant's Web strategy underwent repeated retrenchments.
Time Warner shook up its DC Comics business on Tuesday, announcing that operations focused on developing feature films, television, digital media, video games and consumer products would move to California from New York.
The film “Kick-Ass” fell short in its opening weekend, and bloggers wrote it off as a flop. Never mind that this $15 million film went on to sell almost $100 million in tickets.
The cinema advertising company is trying to make ads before movies more entertaining by using celebrities and sponsors, and including cellphone interaction.
“Inception,” a dramatic thriller about dream invasion, was No. 1 at North American movie theaters over the weekend, giving its star, Leonardo DiCaprio, the biggest opening of his career.
In the first major film financing deal to hit Hollywood since the economic downturn, Village Roadshow Pictures Group on Thursday closed on a $1 billion credit facility to fund its current and future slate of movies.
With the $46 billion worldwide market in upheaval, agents are increasingly useful for finding people to complete complex titles, structuring deals or obtaining financing.
Hollywood suffered its first major flop of the year over the weekend with the debut of the Iraq thriller “Green Zone,” which sold an anemic $14.5 million in tickets at North American theaters.
The hunger for 3-D pictures, a blockbuster publicity campaign and curiosity about a performance by Johnny Depp pushed “Alice in Wonderland” to No. 1 at the weekend box office.
Blue Sky Studios, the animated-movie division of 20th Century Fox, doesn’t have the budget of DreamWorks or Pixar, but it is a small-scale hit machine.
Glaxo, the maker of the weight-loss product Alli, will try to educate Americans about obesity — and increase Alli sales — by financing a documentary about eating.
The film “It’s Complicated” received an R rating for a scene in which two stars share a joint, kicking up attacks on the M.P.A.A. for being out of touch.
Claudette Colvin, who resisted unfair treatment on a Montgomery bus nine months before Rosa Parks, lived an unheralded life until a recent book highlighted her story.
The Wizarding World of Harry Potter will open in the spring and allow visitors to explore Hogwarts Castle, buy Quidditch equipment and drink Butterbeer.
The Illinois company, which charges $1 a day for DVD rentals, expects to have 22,000 machines in supermarkets, Wal-Mart stores and fast-food outlets by December.
Metro-Goldwyn-Mayer, crumbling under the weight of a $3.7 billion loan, ousted its chief executive, Harry Sloan, in favor of the star turnaround expert Stephen F. Cooper.
“Funny People” sputtered at the weekend box office, weakening Judd Apatow’s batting average as a director and continuing a slump at Universal Pictures.