The director was challenged by the plot-driven story. The actor was emotionally drained. And the writer, well, he just feels lucky.
To many -- movie fans, film theorists and the dozens of young directors who've sought to emulate his two-fisted early style -- Martin Scorsese is the consummate American auteur. He's a filmmaker, that is, with a profound and distinctive personal vision and the clout and courage to put it on screen.
The movie's livestock coordinator Dan Hydrick's challenge was teaching the child to ride.
Based on the novel by Nicolas Sparks, director Lasse Hallström's romantic drama "Dear John" follows the relationship between Savannah Curtis (Amanda Seyfried) and soldier John Tyree (Channing Tatum) as they communicate through love letters during seven years of military deployments. For John's scenes in the Middle East and Africa, livestock coordinator Dan Hydrick provided exotic background animals to give a sense of place.
The two-volume, eight-disc collection brings some overlooked femmes fatales out of the shadows.
When girls are good they are very good, but when they are bad they are even better. And during the height of the film noir genre in the 1940s and '50s, some of the juiciest roles for women were as femmes fatales in snappy B-movies. Sony's terrific two-volume "Bad Girls of Film Noir" DVD collections, due out Tuesday, offer eight scrappy samples featuring several female icons of the genre.
The UCLA Film & Television Archive's 20th annual celebration of the country's art-house offerings affords what is for many a rare glimpse inside the country's psyche as well as its borders.
For the past two decades, the UCLA Film & Television Archive has been presenting the preeminent in Iranian art-house cinema -- highly personal, moving, contentious and even controversial films dealing with day-to-day life, social mores, religion and war.
This adaptation of a Nicholas Sparks romance isn't always true to the letter of life.
Dear Reader, I'm so sorry, gulp, but "Dear John" is like a very bad relationship with a very beautiful someone: You want it to work, you truly do, but the pain, the guilt, the boredom, the CW soundtrack . . . .